showroom NEWS
Collier Webb Introduces the Steppe Flush Mount
Collier Webb, located at 200 Lex, Suite 511, expands its celebrated Steppe designs with the introduction of the Steppe Flush Mount – a refined ceiling light designed to bring the collection’s distinctive architectural language to lower-ceiling spaces.
Launching in the centennial year of the Art Deco movement, the Steppe Flush Mount pays tribute to a design legacy defined by sculpted patterning, symmetry, and the modern optimism of the 1920s. Thoughtfully conceived as a flush-fitting interpretation of the original Steppe Lantern, the new form retains the design’s strong, linear aesthetic while offering a more compact form.
Sheets of brass are expertly laser-cut and folded to form the geometric framework, its sharp, rhythmic pattern layered over a softly frosted glass to create a harmonious balance of structure and warmth. The interplay between precision-cut brass and diffused illumination recalls the structured optimism of the Art Deco era, yet feels distinctly contemporary in its execution.
As with every Collier Webb design, the Steppe Flush Mount is crafted to order in their Sussex Foundry and Workshops, allowing for extensive customisation in size, finish, and detailing. This flexibility ensures that the piece can be tailored to suit both residential and hospitality settings, whether as a subtle accent or a statement focal point within the interior scheme.
The Steppe Collection now encompasses the Steppe Lantern, Steppe Wall Lantern, and the new Steppe Flush Mount – each embodying the same balance of form and light that defines the series. The collection’s modular versatility has made it a favourite among designers, with the hanging Steppe Lantern specified in a variety of scales.
Unified by their craftsmanship and clarity of design, the Steppe pieces celebrate geometry and materiality in equal measure – offering a cohesive expression of timeless modernity. Visit this gorgeous collection in the Collier Webb showroom at The New York Design Center today.
